Princess is Glamorous in Modern Day

Chapter 267: Netizens of Han Country Fight Back

As the country with the largest population in the world, China could crush anything with its population.

Just like this netizen war, because of the restrictions of the VPN, only a small number of Chinese netizens climbed out of the wall to fight with the netizens of Han Country. However, this small number already had extremely strong combat power.

The netizens of the Han Country could not win against them. Cui Yongjun’s comments section was gradually occupied by the Chinese netizens. They were all asking Cui Yongjun to apologize.

At that moment, some painters who had a good relationship with Cui Yongjun from Han Country stood up.

@ Han Zhiyu: “Chinese netizens, don’t rely on the number of people you have to distort the truth. Cui Yongjun’s painting skills have many ways that your China doesn’t have. Take the three-dimensional ink painting method for example. In your historical records, such a painting method was recorded, but in China’s historical paintings, there has never been such a painting. It was Cui Yongjun who reproduced this painting method. You should apologize to him because of your rude behavior.”

Han Zhiyu’s words were like a flag that instantly united the hearts of the netizens of Han Country. Everyone was excited again.

[ You guys said that Han Country learned from China, then do you have such a painting? ]

[ That’s right, that’s right. You keep saying that we’re learning from you, but you can’t even produce such a painting. How can you have the cheek to climb over the wall and make a fool of yourself? ]

[ Oh, China calls itself a big country in the China Dynasty every day. So the big country in the China Dynasty relies on its long history to snatch everything and pretend its their own? ]

[ Get out of Han Country’s social media. The Chinese netizens must apologize to us! ]

The originally valiant and spirited Chinese netizens were in the wrong now. Everyone withdrew from Country Han’s social media and returned to China to investigate.

For example, the effects of the three-dimensional landscape painting in Cui Yongjun’s painting had been recorded in China’s history. This was a painting technique called “Light Mist”.

Ink painting was particular about painting with ink. The color was very simple. In traditional Chinese painting, most of the colors were black and white.

Because the colors were single, the painters did not pay much attention to the level of the images. Instead, they focused on the meaning.

On the contrary, the Light Error Art drew a single ink-black picture through the skilled painter and the deep changes in the ink. It drew the three-dimensional feeling in modern painting techniques.

This technique had disappeared throughout the long history. After checking the information, the netizens realized that Cui Yongjun really knew such a lost technique.

The ancient books that recorded such painting techniques had been recorded much earlier than the ancestors Cui Yongjun had mentioned. The netizens knew that Cui Yongjun must have learned Chinese art from somewhere and claimed it for his own.

However, no one had evidence and they could not do anything to him.

Seeing the Chinese netizens run away with their tails between their legs, the news media in Han Nation became even more arrogant. They grabbed this matter and publicly proclaimed that Cui Yongjun was a national painter in an ink painting.

Furthermore, Country Han began to do its usual job. They began to prepare all sorts of procedures, wanting to apply for protection for Country Han’s cultural heritage and Cui Yongjun’s various painting skills.

With this application, if anyone mentioned this art in the future, they would associate it with Cui Yongjun and Country Han.

The netizens in the country were furious, but there was nothing they could do. Even in the Painter Association, there was no painter who knew such a lost technique. The world was filled with joy abroad, and the world of painting and calligraphy in the country was shrouded in worry.

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