A flight attendant gently pushed the cart into the first-class section of the plane.
This section of the plane had many small rooms that were occupied by people who could afford first-class tickets.
The room was tiny, and at best only one person could use it. Still, in that situation in a plane, to have that kind of privacy was a luxury. In fact, only a few airlines had first-class sections with such private rooms.
"Here's your meal, ma'am."
The flight attendant knocked on the door and informed the woman in one of the rooms.
"Thank you."
Stella Willow opened the room and thanked her.
Actually, this was her dinner. It was still 9 p.m. when she arrived at JFK International Airport to get to the plane.
In a sense, the food she ordered was her dinner.
However, the scenery outside showed that it was already morning. The sun was shining. She looked out the window and all she could see was blue. The blue sky and the blue sea.A few hours later, she would be landing in Italy.
After leaving her position at NBC, Stella Willow applied for the position of General Manager at Grey Pictures.
She heard that this production studio had made Taken and John Wick. She had seen those movies and could say that she was a fan.
More specifically, she was a fan of Director Grey. As a production manager, Stella Willow realized that Kazir's filmography didn't have any similarities at all, except for the fact that they were made by one person.
His filmmaking style was different in each film.
Almost as if he had a reference and just copied it.
All of his films didn't have the strong artistic style that most directors have. His films were made for the purpose of entertainment. It was amazing that Kazir Grey could control and limit his artistic sense in filming.
Directors always have an artistic sense/style in them, it is their signature.
David Fincher loves to use gray and brown tones in his movies, which reflects the dullness/heaviness theme in his movies.
Director Tim Burton, his movies were always gothic style. Whenever someone thought of gothic style movies, Tim Burton was always on the list.
As for Quentin Tarantino. A famous director known for his portrayal of extreme violence in his movies. And he loves filming actresses' feet for some reasons...
After watching all of Kazir's movies, Stella Willow realized that Kazir Grey evolved when he created Napoleon Dynamite.
His previous movies before Napoleon Dynamite are small-budget horror movies, and they are all slasher movies with blood splattering everywhere.
His first three horror movies had similarities, but he changed his style when Napoleon Dynamite came out. How could a director who made bloody horror movies make a wholesome comedy? Where did the inspiration come from?
As for Se7en, which Kazir wrote and sold to New Line Cinema, she didn't feel anything strange about it. After all, Se7en was also a bloody movie.
'But his writing has definitely improved since Se7en.'
When she decided to work for Grey Pictures, Stella Willow began researching Kazir. Then she realized that Kazir's life had changed after his divorce.
"He is probably an interesting guy."
Slicing the medium-rare steak with a knife, Stella Willow recalled how she was hired.
The management of Grey Pictures chose her because she was the most qualified for the position. The two people before her had experience in show business, but their accomplishments were nothing compared to hers.
As a production manager, she was responsible for so many TV shows on NBC. The performance of NBC was better because of her leadership.
At the age of 36, she was a career woman who proved herself to the world.
'With my savings, I didn't have to think about working anymore, and I even bought an RV to travel around the country. But I realized that my passion for my work is very strong and I want to work. At the very least, I want to prove to the people at NBC that I can do better.'
When she heard that Grey Pictures was looking for a general manager, she used her connections to apply.
First, she was interested in the production studio because Kazir Grey was planning something big.
Second, she knew it would be difficult for her to get a good position in the Big Six.
Third, she could start her own business. Maybe a talent agency or a production studio, but she was not an agent or a director.
'I can be a producer.'
As a producer, she was good at managing people and teams.
Kazir Grey plans to create one big project that will tie all of his action films together. Obviously, his current project, The Bourne Identity, is part of that huge plan.
She was interested to see the result. No, she wanted to see the success of this project. So joining Grey Pictures was a good thing for her.
Before she was officially hired. First she had to meet Kazir Grey. They talked on the phone, but a face-to-face meeting was important.
So the company bought her a first class ticket to Italy.
After eating her breakfast/dinner, Stella Willow realized that the plane was about to land.
The flight attendant smiled and said goodbye to her. Once at the airport, Stella Willow found her contact who would take her to the set of The Bourne Identity.
"Miss Willow?" A young man in his early twenties greeted her. The man held a card with her name on it.
"That's right. What's your name?"
"My name is Palenque Simone. I'm Director Grey's assistant."
Stella Willow nodded as she heard his name. After watching Taken, she became aware the same people might kidnap her after she left the airport.
She knew Palenque Simone would be her contact. That put her mind at ease.
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